If you’re using cine lenses or heavier zoom lenses then definitely yes. The most interesting differences were between the C200’s raw recording and XF-AVC settings because the XF-AVC showed significant differences in color and saturation. Simultaneous use of both HDMI and SDI ports. It’ll provide a better, cleaner image and, to my eye at least, the color seems to be handled better on the C500 Mark II. C300 mark II has no raw (even external) and no 4k60. It was very clear when zooming into the raw clips that the C500 has a significant advantage when it comes to low-light as the noise was dramatically reduced in full-frame raw recording. The DP-V1710, DP-V1711, DP-V2410, DP-V2411, DP-V2420, DP-V2421, and DP-V3120 4K Reference Display updates include the following: Paid Firmware Updates Details Are as Follows: The DP-V1711 and DP-V1710 4K Reference Displays paid firmware updates will offer an upgrade license and will raise full-screen peak luminance from 600 to 1000 nits. They are also very similar. At 200% on each, it’s a more even comparison. Get Instant Access! In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. The standard EF mount is non-locking. Customer Service 800.221.5743 or 212.239.7765. The old C200 won't be. The 38.1 x 20.1 mm sensor offers an impressive fifteen stops of dynamic range. Really, what everyone wants to know is if those added benefits of the C500 Mark II make it worth the significant upgrade over the C200 for the everyday indie filmmaker. They Cinema lineup is a bit messy. Electronic Five-Axis Image Stabilization Several new recording formats, such as XF-AVC 8-bit 4:2:0 up to 4K 30p and MP4 8-bit 4:2:0 up to FHD 60p, Browser remote use for both Wi-Fi® and Ethernet connections. There are also new firmware releases for several Reference Displays. Consider becoming a Patreon supporter and help us to continue being the best source of news and reviews for professional tools for the independent filmmaker. I would guess the C500 might be able to squeak out a minor victory is scientific testing, but who shoots in super controlled conditions all the time anyway. Most of the Cinema EOS cameras are Netflix approved. The C200 is currently $6,499. There are also new firmware releases for several Reference Displays. For true anamorphic, the sensor needs to span at least 21.95mm x 18.6mm. This 8.3 megapixel sensor maximizes the size of the individual photosite - each of which deploys two photodiodes to ensure high … Also, a little bit of exposure compensation was used to equalize the images. Also, the C500 appears to be a bit more detailed than the C200, which makes a ton of sense since it is doing downsampling internally. If you really wanted that option you are better off with the C500 Mark II. The Canon C300 Mk II feels very solid and is cased in a sturdy Magnesium chassis. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. Also, full-screen peak luminance is now supported by a local dimming algorithm from 300 to 600 nits. If the outside of the Canon C300 Mark III looks both different and familiar, there’s a reason why: it uses the exact same body as Canon’s C500 Mark II camera. Should you opt for a locking mount? What are your thoughts? It supports full frame readout as well as Super 35mm and Super 16mm modes that can be used with conventional Super 35mm lenses and full frame compatible lenses. Canon's Log 3 Gamma supports 14 stops of dynamic range. Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world. This was to make sure that depth of field and other image-related concerns due to different sensor sizes can be compensated for as best as possible. HDR monitoring assist functions such as the ability to check XY chromaticity value of pixels, area markers will be simultaneously displayed in two locations, Expansion of the safety zone/grid markers. The Canon C500 Mark IIis definitely more expensive on paper. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. Even when matched up closely, that larger sensor and longer lens are nice to have. The EOS C500 Mark II boasts ground-breaking AF technology, using a CMOS sensor with a construction that combines the functions of both imaging and phase difference AF. There is also the not-so-subtle fact that the C500’s full-frame sensor is allowing the capture of a different overall look and feel to the shot. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. Enhanced ease-of-use and workflow with third-party cameras, The DP-V2411, DP-V1711 and DPV-1710 4K Reference Displays update will improve full-screen black level all the way down to .001 nits. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. Along with all of Canon’s other announcements today, they have announced new firmware for the C500 Mark II, C200, C300 Mark III, C700, and XF705. Back to Product List. How about dynamic range? Tentacle Sync Track E Pocket 32-bit float Audio Recorder– Recording & Transmitting Audio, Sigma “I” Series full-frame mirrorless lenses, Support of XF-AVC Long GOP and XF-AVC Proxy format, Pull-down 60p signal to 24p/30p recording, User ability to give two files an identical name when recording from both card slots, Update to the Slow & Fast Motion display, including changing “REC” and “STBY” notification colors from white to red and green respectively, Support of pull-down 60p signal to 24p/30p recording. Now, before you get too excited, these are not major firmware updates. EOS C500 Mark II 5.9K Full Frame sensor; 4K at 50p/60p with 4:2:2 sampling; Cinema RAW Light and XF-AVC Intra Frame records to CFExpress Type B Cards The somewhat comparable Sony FX9 is $11,000. This is significant if you want to use more compressed recording modes for your shooting. I am waiting for the C300 MK III to be announced. Print Email. Canon EOS C500 Mark II Cinema Camera (B&H), Canon EOS C200 Cinema Camera (B&H, Amazon). This provides faster and more accurate autofocusing to assist users when operating with small crews. If you’re just using Canon still lenses then probably not. Add at least two items to compare. Matthew has won 41 ACS Awards, including four prestigious Golden Tripods. It's in the top 3 bestselling cameras and has dozens of popular alternatives in the same price range, such as JVC GY-HM200 or Sony HXR-NX5R. I like the C500 MK II a lot, but when you go all in with the rear EVF and an extra CFast Express card, the total comes to $19,000. I think the C500 Mark II, C300 Mark III and C200 Mark II will be compatible with an RF-mount conversion that was rumored earlier. This was a very practical test that Francis put together. And, you can transform it into the C200 by popping it into Super 35mm mode. B4 mou… Chris Francis is one of those filmmakers and put together his own image quality comparison between the two cameras. Similar to the EOS C700 FF model, the EOS C500 Mark II features a full frame 38.1 x 20.1mm sensor with a 17:9 aspect ratio. EF to PL mount (PM-V1) 3. Only 10 left in stock - order soon. These firmware updates provide improved workflow, ease-of-use, file editing compatibility with popular NLE systems, and creative flexibility for products in the Cinema EOS, Professional Camcorder, and 4K Reference Display lines. This is a strange one considering the camera was just announced. That's in the realm of a used Arri Amira. Nice to have raw internal to fast appear to be surprisingly close in this test a 4K timeline, is. Ii vs Canon C300 Mark II is a reason why they have had to do this the two.... Included the same clips with some grading and sharpening Film industry do this the world you! Lot of new tech and capabilities out of camera can save a lot of new and. 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